Wise Words from Anton Ego

In many ways, the work of a critic is easy. We risk very little yet enjoy a position over those who offer up their work and their selves to our judgment. We thrive on negative criticism, which is fun to write and to read. But the bitter truth we critics must face is that, in the grand scheme of things, the average piece of junk is more meaningful than our criticism designating it so.

But there are times when a critic truly risks something, and that is in the discovery and defense of the new.

Last night, I experienced something new, an extraordinary meal from a singularly unexpected source. To say that both the meal and its maker have challenged my preconceptions is a gross understatement. They have rocked me to my core.

In the past, I have made no secret of my disdain for Chef Gusteau's famous motto: Anyone can cook. But I realize that only now do I truly understand what he meant. Not everyone can become a great artist, but a great artist can come from anywhere.

-A. Ego, "Ratatouille"

We've Got Thumbs Now. Why Are They Still Using X's?

Facebook adds Digg-inspired feature to News Feed.

Benj (the boyfriend): "You like the feature because it gives you something to do when you log in, don't you?"

Yes. I do.

On Driving an Axe Through 'the Next Step'

We learned in college that the "teenager" is an invention of the early 20th century -- the Hallmark holiday of social development, if you will.

Considering teenhood is something we take for granted and chock off to biology, wrapping my mind around its artifice is an amazing mental leap. And yet in the the last handful of years, we actually got to witness the process by which marketers do, in fact, create, label and adorn a proud new developmental segment: the tween (formerly known as the pre-teen).

The other night I was having this moody quarterlife funk and it occurred to me that "adulthood" is probably as much a construction as teen and tweenhood.

It's more opaque, granted, because you can't really give it a beginning and end (13-19 or 8-12). And because of that, I have this abiding worry that unless we realize there's no placeholder for "adulthood" because there is no adulthood, most of us are going to be groping blindly for it for a very long time.

That's too bad, because so many of us need adulthood to exist so badly: Once you've taken all the prescribed steps -- pre-school, gradeschool, puberty, college -- and are launched out into that wide, wide world, onto what safe ground can you measure your next move?

We fall back on marketing, media and pop culture, which generously distributes guidelines grafted onto us in part by our institutions.

College taught us how to watch the news, question religion, suspect authority figures and have existential conversation. But jobs teach you that's kid shit. Life's about being jaded.

With time, and in the exact same way you and your ilk learned how to smoke pot, date and fuck, you will learn how to hate your inevitable office life, that you'll eventually lose count of your sexual partners (and it will be okay!), that you'll get cheated on or will cheat. You'll get married, have kids, suffer from a midlife crisis and buy too many cars. You'll divorce and go on some tortured quest for your high school sweetheart.

Maybe you'll find religion again. Or better yet, go to grad school.

Bills are inevitable, friends are few, and to unwind, everybody goes drinking on Friday. You'll make cliched statements: I've never felt this way in my life. I want to have your baby. Please love me.

And amidst all of this, every once in awhile, that question without an answer will surface in your mind: Is this adulthood?

Sometimes it'll come out as a statement: Behave like an adult!

Inanely: I'm a grown-ass man.

Or in a more childlike way, amid defeat: Grown-ups don't do this to each other.

On a quest for secure ground where there really isn't any, my generation has found a convenient shelf, courtesy of your local marketer: We're Quarterlifers. And we're having a crisis. Our debts are high, we're going home to mom and dad, no job is good enough for us, and we've been victimized by the murky indefiniteness of "adulthood."

According to the associated data, we'll be here from age 21 to age 29 -- after which we can coast safely into mid-life, a world we understand because, like teenhood, it has been so lovingly documented for us.

How hard would it be to say fuck all of this?

It is surprisingly much harder to leave a world safely accorded us by pop culture than any of us is willing to believe. And that's too bad. Maybe if we admitted we're addicted to a constellation of spoonfed -- occasionally bleak or beautiful -- images, we could learn to pick and choose which ones we actually want to live out and which ones to relegate to the heap.

And amidst all that personal sifting, perhaps then we could do the truly impossible -- indeed, that very antithesis of early adulthood: locate what makes us happy, and do it bravely, and do it now instead of seeking a prescribed "next step" that will earn nods of approval all around. (Granted, playing the martyr is also something we've learned along the way.)

But oh, many of us won't allow ourselves to shake all this off until after the long struggle toward retirement. Sagacity is part of the blueprint, but only near the end.

Snow Comes to Ithaca and I Finally Get a Bolshevik Hat

Dewey leaves on the bushes last night:

This morning it began to snow. I investigate, wearing the rabbit-skin Bolshevik hat I bought yesterday:

A magical moment: "It's burning my hands!"

That hat is the coolest piece of headgear I have ever owned. It's formally branded "Mad Bomber." Here is the story from the tag:

Raised in the flatlands of Virginia, our demented Figurehead migrated to Utah where he became an Unstable ski jumper known as The Mad Bomber.

He continued on to infamy trading in Manchuria for these original hats. When the Siberian winds blow, whether you're traveling the steppes of Manchuria or skiing the Tetons, be cool and keep warm with Mad Bomber. "Because it's Cool out There."


I am crazy about it. And on that cheery note, here's a story about a little boy with an equally amazing hat. I give you Adventure Time (the best thing to hit Nickelodeon since Inside-Out Boy!), courtesy of this guy.

'Baked a Lot of Bread and Carried Off the Books'

Paul: "You know the dollar's in trouble when Jay-Z's flashing Euros."

We needed to wait for Jay-Z to tell us our economy was in trouble? This is the kind of news that makes my figurative Baby Jesus cry.

Get Down with the Homies with the ad:tech NY Ad-Jive Dictionary

You can't call yourself a new media advertiser if you're not hip to the jive, and ad:tech is a great place to brush up on this crucial skill-set.

But it can be tough to keep up. With that, I give you the 2007 edition of the Official ad:tech New York Ad-Jive Dictionary. Use this knowledge well, and you're sure to be the life of the break room.

Better still, you'll confirm your CEO's conviction that burning $5K to send you to an ad conference was a very intelligent idea.

Agnostic. adj. Connotation: positive. Used in reference to an application that plays nicely on any OS or browser, or in reference to a marketing campaign theme flexible enough to perform on any media platform. The Hulu video player is browser agnostic, and thank heavens, because I will kill somebody if I have to download IE7.

Ajax. n. Connotation: positive. An acronym that stands for Asynchronous JavaScript and XML, "Ajax" is now a parlor term for a site that updates content without a user having to "refresh" the page. If we add Ajax to the site, our pageviews will get all screwed up!

It can also be used as a verb, allowing for some mental play between Ajax as it is referred to here, and Ajax the household cleaning product. We need to Ajax the forums. Nobody's going to stick around if they have to refresh during a burn war.

CGA. n. "Consumer-generated advertising." See CGM.

CGM. n. Connotation: hysterical, particularly at ad:tech. "Consumer-generated marketing." Refers to "amateurs" (read: non-advertisers) building brand messages, for subversive, evangelical or monetary reasons. Dude, forget about hiring the agency. Why don't we just launch a CGM contest and give away an iPod? I think my cousin has a camera at home.

Collaboration. n. Connotation: euphemistic. The dreamy thing vendors say will happen between marketers and consumers, or between IT and upper management, when their "online solution" includes a messaging feature, a Twitter function or a news feed. State-of-the-art digital technology encourages seamless real-time collaboration between the enterprise and the end user.

Dovetail. v. Connotation: euphemistic. Used when small companies get absorbed or otherwise hopelessly eclipsed by a larger entity. Paths between Wee Guppie, LLC and Big-Ass Sharks, Conglomerated began to dovetail in '03; a collaboration was the next logical step.

Iconistan. n. Connotation: negative. Coined by Sphere CEO Tony Conrad, it refers to the untidy collection of icons, usually found at the bottom of a blog post or article, that enable readers to disseminate the post on a social news medium like Digg or Newsvine.

We see less of this clutter now because social news leaders, such as Digg and Reddit, have emerged in the field. As a result, "Iconistan" has fallen into antiquity -- which is too bad, because it was strangely charming. Dude, your blog looks like a virtual Iconistan. Why don't you delete all that crap? Nobody ever Diggs you anyway.

Intermediate marketers. n. Connotation: nebulous - probably negative. Hails from the dust jacket of a marketing strategy book called The Eyes Have It: How to Market in an Age of Divergent Consumers, Media Chaos and Advertising Anarchy.

The precise meaning of the label remains unclear. Based on its original context, where it was paired with a less nebulous demo, "Advanced digital marketers in the C-level suite," we can assume it is at least slightly pejorative. That shit looks like Crayon on cardboard. Clearly it was disseminated by an intermediate marketer.

Meatball sundae. n. Connotation: negative, but using the expression will reflect positively on the user because it is still fresh. Coined by Seth Godin for his heavily-promoted publication of the same name. Refers to what happens when you put together two great ideas (like meatballs and ice cream) that produce something unfortunate. Rich media ads on a widget? I don't know, Rick. We don't want a meatball sundae on our hands.

The expression may unseat last year's book-title-cum-buzzword, "the tipping point."

New media. n. Connotation: positive. Refers to any number of the socially "democratizing" applications or services -- usually ad-supported or AJAX-heavy -- that have appeared on old media (the online and mobile platforms) over the last several years, bringing said media back into vogue.

Platform. n. Connotation: neutral. May refer to the means by which content is delivered (e.g. the mobile platform), the technology on which applications are built (Google's open source mobile platform), or any other foundation -- figurative or literal -- upon which something else can be built. The platform of Lisa's sanity was piled high with new jargon.

In the tech realm, "solution" and "offering" can be used interchangeably with "platform" when referring to a new means by which advertising or other content can be conveyed. Jerry thinks Facebook's Social Ads solution is the ultimate collaborative platform for advertisers and consumers.

Social advertising, Social seeding, user marketing. n. Connotation: positive or used in jest, depending on who you're talking to (a client versus a colleague, respectively). Refers to astroturf WOM: When advertisers and marketers attempt to harness word of mouth as an ad campaign in and of itself. Attempts to generate inorganic WOM have very rarely worked, and backlash can be uncomfortable. Jesus created a resonant dialogue after implementing an aggressive social seeding approach.

UGC. n. "User-generated content." See CGA.

UGR. n. "User-generated revolution." See UGC.

Viral. adj. Connotation: positive. Refers to when an effort, usually online video-based, gets passed from user to user until the offering becomes part of a larger cultural discourse.

A unit cannot "go viral" until after this has occurred. Marketers that call freshly-released efforts "viral" commit a serious faux-pas in this regard. Did you see that Hitler viral where he's all pissed-off about his Xbox gaming score? You have to. I'll send it to you.

Wikinomicon (not to be confused with HP Lovecraft's The Necronomicon). n. Connotation: expected to weigh in as "positive" when more people know what it means. Refers to the mindset that new communications technologies are democratizing the creation of value. I'm just here to brush up on my intermediate understanding of the wikinomicon. What? You haven't heard of it? Here, take my card.

The working affluent. n. Connotation: neutral. Refers to members of the labor force bearing a net worth between one million and 9.9 million dollars. It is unclear why there is a cap. One may surmise that if you still come to work after breaching the $10 million mark, you likely suffer from Marie Antoinette syndrome -- which, while admirable to the subject, is loathsome to observers. It has not been determined what percentage of Nalts watchers consist of the working affluent, but a fair estimate is anywhere between five and 90.