Angela Natividad's Live & Uncensored!

Showing posts with label brand identity. Show all posts
Showing posts with label brand identity. Show all posts

21 March 2012

It's not just a design identity; it's a manifesto.



Designer Silvio Teixeira developed a poster that can be cut into 100 business cards which can also be brought together as a flip book. That sounds reasonably cool already, but the video makes it about a thousand times cooler. From Teixeira:
100 Ids is a project that defines my identity as a designer and it is also a self promotion campaign. The poster (50×70 cm) is cut to become 100 business cards and 1 video. The logo is a pseudo coat of arms that is reinvented in many ways to present my individuality.

26 April 2011

...Because Was Your Belief Ever Truly Suspended in the First Place?

We give the fashion industry a lot of leeway to be pretentious: that is, to produce a false universe that's supposed to feel aspirational but is often so far out of the realm of the real that it becomes little more than snobby farce.

Part of this is our fault; we don't ask fashion a ton of deep questions. (Do we even want to?) And as long as it's teetering on this precarious ledge, the door is open for somebody to give it a little shove.

Case in point: Etam Takes on The Kooples

Fashion here is manifested by The Kooples, a beautiful high-end French-meets-hipster brand whose founders, in a recent issue of Grazia, confessed to having visualised the ad campaign before setting themselves to the actual task of designing.

The offline ads are homemade (digital's done by Digitas) and follow the same general format. They highlight a glamorous-looking couple, list their names, how long they've been together, and sometimes where they met. (The stories never go deep; couples typically only boast a track record of a couple of years, and often meet at less-than-profound places.)



If you seek relatability in a Kooples ad, you'd be hard-pressed to find it: this is drugs, sex and rock-n'-roll for the privileged set, only thinly disguised as love (if you think it is at all), or even as real people.* And while I dig the brand, every time I come across one of these ads I still have to stop and be like "Are you fucking serious?" Because matchy daft couples that somehow managed to outlast their coke-laced one-nighter aren't the people I want to dress like.

I apparently wasn't the only one who felt this way. Out of left field comes budget brand Eram, who, with help from Havas' agency H, takes the Kooples concept and exposes it for flagrant plastic shammery:

Translation: "Karl is a photographer. Bahia's a DJ. It was love at first sight at a New York rooftop soirée."

Close in for the kill: "These shoes cost €49,90 -- and that, that's actually true."

Followed by tagline: "Eram: You'd have to be crazy to spend more."

Same basic idea for this one: Barry's an architect, Keira's a performing artist, they met four years ago in a Berlin squat house, these sandals cost €39,90 and that's the truth.

This comparative work serves Eram's brand perfectly: it's a format and a message that drag you back down to earth ... where, incidentally, you'll find even the prices more terre-à-terre.

More images at Dark Planneur's blog.

Examine What You're Asking People to Believe.

(Even in fashion.)

A lot of the time your audience will cut you slack. Once in awhile, though, they'll be like, "Seriously? Are you sure you want to be saying that?"

When this happens, sometimes it's best to stick to your guns, as I'm sure The Kooples will. But other times you should ask whether they're right: did you -- and your brand -- get lost in the weeds during conception?

All that said, here's full disclosure: I'm a Kooples shopper. I have never been inside an Eram, and because I'm elitist and spendy, I'd prefer to keep it that way. Do these appropriations make me want to change my mind, considering they validate how I felt about The Kooples' ads?

Not yet. But I still like that somebody called them out. And I like that Eram had the balls and the finesse to do it well. This is the beginning of a relationship.

A big thank-you to @BranislavPeric for furnishing me with the agency information.

---

*I stand corrected. A friend messaged me today to say he knows a Kooples couple, and they're really a couple!

24 March 2011

The MIT Media Lab's Algorithmic Logo



There are few ways to credibly reinvent the logo. (Consider.) But as our perception of what is grows more fluid, I suppose it only makes sense that people are trying to lend the same freedom to logos without compromising what they're supposed to stand for (the fixed aspect of a brand's spirit).

The MIT Media Lab found a really cool way of doing this: the algorithmic logo. It lends just enough fluidity to yield 40,000 different image variations - without losing any of its core qualities. In that way it's the perfect representation of this media space: fixed, but not; consistent, but flexible; unchanging but dynamic by nature.

Using three colors plus black, the algorithmic design features three intersecting spotlights that can be arranged into 40,000 unique shapes and 12 colors. Researchers can individualize the logo for their business stationery yet still link themselves to the Media Lab. The concept is geeky, serendipitous, and a melding of math and design to arrive at a different way of looking at things.

Fitting that the logo now spearheads a brand that hasn't been able to settle on a visual identity for decades.

Work by Brooklyn's own E. Roon Kang and Richard The of The Green Eyl.