Angela Natividad's Live & Uncensored!

Showing posts with label observations. Show all posts
Showing posts with label observations. Show all posts

02 August 2010

Fuck-You Bookshelf


I was sitting around adding things to Shelfari when it occurred to me, like it often does, how funny it is I still use it. The moment when Shelfari was a promising phenomenon is past; it's doing very little now. And while speed and searches for foreign titles have improved a lot, something about it still rings hilariously low-fi, like being in a town where the pop music is from two years ago.

But I like being able to chart the progression of my life with digital spines, watching the pixel-wood shelf fill with colours, ideas and gifts that finally got read. It's the cartography of a mind that zigzags, occasionally descending upon long-forgotten threads of obsession: a miracle of human consistency.

Someday when Shelfari is able to manipulate data in ways that tell you interesting stories about yourself, your loves and your subconscious thoughts, I'll be happy I packed all this work into it, and in proper order, too.

13 January 2008

Welcome to the Third World

I'm in the Philippines, possibly the only country in the known universe where Friendster and Y! Messenger reign supreme amongst their industry peers.

Considering there's too much to process in the short space of time I'll be here (I arrived Thursday/Friday; leave Monday/Tuesday), I've done the natural thing and fallen back on the areas in which I can easily recognize disparity: the internet and advertising.

Right now I'm in an internet cafe that's been set up in someone's hallway. (Gotta love old-school XP and Mozilla Firefox pre-tabbing.) Besides this spot, there's no internet anywhere else I've seen - not even a closed connection I can mooch off of on the long lonely nights. People communicate mainly via text-message. The mobile industry is massive here, and texting takes on political importance. When elections hit, everybody's deluged by "personal" messages from presidential incumbents.

To think back home, the only "celebrity" to ever mobile message me was Sam L. Jackson. And that was considered a forward thinking marketing campaign for the so-called new wave "third screen." Puh-lease.

And the ads? What fun. A vivid example: I logged onto Xanga today, and the central banner ad on the homepage was for a "matrimonial assistance" service called Shaadi.com.

Women are the Philippines' biggest export. They depart the country as domestic helpers, mail order brides and -- for the lucky ones -- nurses. For this reason, all my island-bound cousins are studying nursing. It appears to be the easiest way for an educated person to leave the country.

For those who seek glamour in the profession, it's soothing to know that HappySlip -- who's practically a local celebrity amongst rabid YouTubers in Quezon City -- pays for her vlogging habit with a nursing degree. (Everyone here loves you, Christine!)

The long car ride from Manila to Quezon is colored with billboards that pretty much obscure the landscape. Open space is fast paved-over with high-rise condominiums by a company that calls itself "truly Filipino." The fruit of its productivity are virtually indistinguishable from homes I've seen in El Cerrito or Walnut Creek.

The most expensive cafes and restaurants boast European or American origin, though I have never heard of any of them.

As for the jeepneys, most are airbrushed over with religious messages in graffiti-style print. Refurbished army vehicles, now posing as buses, marked "GOD IS GOOD" or "Nothing is impossible with God" whiz topsy-turvy around kids playing basketball on the street. "How's my driving?" some bumpers ask -- a question immediately followed by a number too long for my brain to process.

It's odd to think this is where my parents came from. "Welcome to the Third World," my aunt said playfully.

This happened shortly after I asked her why the public toilet we were standing in didn't have flushers. "And what's that bucket of water for?" I added. She sure got a kick out of me.