Angela Natividad's Live & Uncensored!

25 May 2019

An orientation sandwich

I recently learned about Now (versus About) pages and dig them. I'm also mindful that it's been nearly a year since I've written in—no surprises there, perhaps—and every time I do write, it's some effort or other at distilling where I am Now.

This will be no different. This time, I thought it might be fun to try making an orientation sandwich that could comprise past, present and mid- and long-term future, which could lend better light on where I am presently.

(Live and uncensored! Little did I know that in buying this URL as a lark, I'd be experimenting with unpacking that concept in all the most pedantic ways possible.)

Immediate past: My soul brother died. It'll be nearly a year, at once long and short. It wasn't easy to steal time to mourn, but I did: Lone lunches and a three-month subscription to a sensory deprivation tank, where I could lose all sense of time in a single hour, to study my pain and also death.

What I learned was good. You know what? Look at death sometime. It's not grim. It's like a sad slow dance with your dad, a good-bye that is heavy on both sides. If death can be personified a moment, I think it recognises its cost and is the opposite of callous, like jaded doctors. I think we must also recognise that death is what makes our lives dear.

Now: Just came back from Hamburg, where one of my oldest friends wed, and I was the only one who didn't speak German. Next trip: London for a panel on diversity in esports. Yesterday: Gave a talk at Sup de Pub about esports, advertising and marketing. Spent all night building my presentation, because I pissed away the previous two days indulging an obsession with cutting all the vines on the agency's façade, for which I rightfully earned a blister and the mockery of all my colleagues.

But I have no regrets, because my presentation was Choose Your Own Adventure style, and a riot.

Romain and I have been living a fun creative spurt. I'm exploring witchcraft, systems theory, herbology and the old myths; Romain's on a bread- and pottery-making extravaganza and will now begin a meat-curing season. We recently repotted all our plants and turned our spare room into an office for my experiments, both of which were way bigger projects than I thought (though he seemed to intuitively know, because he's more of a details thinker than I am).

I'm still trying to maintain six hours of sleep, with middling success, though my hydration experiments are going fine because I recently became addicted to tisane.

Elsewise: Trying to stay off social networks, to study my life without them. Reading books made of paper, not pixels. (The Pharmako series by Dale Pendell is quite lush and informative. I recommend it to anyone even remotely interested in plants, poison, myths, health, drugs, addiction, anthropology, art, magic, poetry, literature, beauty, life, or death.)

I'm making my own deodorant, lotion and perfume. The latter is going iffily and I surrendered to a sizeable purchase at Diptyque recently. Here's a snippet of conversation I had with the vendor, who stayed with me all through my decision making process, which was whimsical at best:
Me: Do you wear the same perfume always, like a signature?
Him: Oh, no! Everyone in the store, we change perfumes almost every day.
Me: Why? Do you feel like a different person when you change perfumes?
Him (betraying, after a brief pause, the beginnings of a smile that indicates we've wandered off the social script and come into something truly revealing): Yes. So much, every time, yes.
Also: I threw out all my tight pants. I worry this means I'm surrendering to a gently expanding body, and in some respects that's probably true. Mostly, though, it probably means I'm in my mid-thirties and can't be fucked about it anymore.

Hurrah: Running a company will never be simple or relaxed. But we are now twenty-ish, with a reasonable diversity ratio, though it isn't ideal and I worry about it every day. We've just launched an adapted sociocracy model we call Hurrahcracy. It isn't perfect, but it's promising, and I'm surprised and gratified by how nicely it's landed. The biggest issue is vigilance in leadership obeying the rules, because if we don't, who will?

I'm also traveling a great deal more for our various social responsibilities. I don't mind this, but I also didn't expect it to be so intense, nor so sudden.

Muse is chugging along grandly and will soon be a year old. People really like it (who would tell me to my face that they didn't?). We've got an additional writer in the stable, and one of my favourites. Cannes Lions is around the corner.

My dreams are more vivid and I note them in droves. Last night I dreamt I was walking about naked—not by choice, but obliged to deal with it—and trying to convince the people I encountered it was a perfectly normal decision that I made for quite evident, understandable reasons. People nodded along, clearly half-convinced. Apt stuff to mention on a site sometimes mistaken for porn.

Mid-term: Time to write. Time alone. The beginning stages of a slow-moving plan to perhaps leave Paris. Me and Romain want other adventures, beach and garden and newer and more experiments. I love Paris—loved it the other night, when I left work late, met my girlfriends very late, then walked home, later still, listening to the clap-clapping of my shoes against concrete, my shadow cutting long through lamplight. I love that I can do that, and come upstairs to find Romain smoking on the balcony, gazing down at me.

Long, strange nights, a city replete with secrets, the menagerie of friends, the surprises encountered on terraces.

But I can love other things, too. I will love silence, and sand, wild forest and sunlight peeking through trees. I will love being barefoot, toes in soil. I will love giant vats of fresh rose petals that I will use to make secrets.

Otherwise: A strong passive income for Hurrah, to make our big stable of talented people feel just a little bit safer. Hurrahcracy set in place, a well-oiled machine, kinks manageable and themselves smoothed out in a clear and systemic process. We are considered a global agency.

Muse flourishes, simply matters more, and to more people.

I see new things.

Long-term:

Hurrah as a multi-country operation, with the complications that come with that; I'm fine if we have the right people to help, and hopefully we do. I'd like to find a way to divorce some percentage of our operations from reliance on the economic system. It's something I spend a lot of time thinking about.

A more stable esports, brought partly to life by the efforts of federations that share the same goals. Codes of conduct, finally. A bubble that pops, but gently, because we all prepared for it in not-stupid ways.

Muse, equipped with a good stable of solid writers and a lovely, widely-regarded reputation.

I quit smoking (Christ, I'm tired of smoking) and we spend more time outside under naked sky, unimpeded by time. Lately I like being barefoot.

Biggest learnings lately:

  • When someone demonstrates who they are, believe them.
  • Listen closely to the stories people tell about themselves. This little mythology will play itself out in every choice they make, every decision, every conflict, every motivation or effort.

Latest Quote:

"The creation continues incessantly through the media of man."—Antoni Gaudí

30 July 2018

Current Projects

  • Hydration—carrying a water bottle everywhere. It doesn't just beat the heat; I actually think I'm sleeping properly and less stressed because I'm hydrated.
  • Sleeping six hours. It's less guilt-inducing than eight, but it's what I've come to understand is my bare minimum for functioning like a human.
  • Frugality. Freelance, I realise now, spoiled me: Even with its ups and downs, all you have to take care of is you. An enterprise's ups and downs are massive and can impact many lives if you're not good at prepping for drought in times of plenty. Also, I forgot how satisfying frugality can be, how creative it can make you. Who knew I'd become the type of person who makes her own candles and picks binders up off the street?
  • Being positive—thinking about my state at any given time in terms of the good things I want to make and do, and the culture we're trying to build; not in terms of stress, the harried menagerie of people expecting me places, numbers, obligations. This is harder than it sounds, but it's good exercise. I don't want everyone who goes, "How are you? How are your projects?" to immediately regret it.
  • Just saying something when the situation is gross.
  • Making time for exercise and meditation—even if only five minutes for the former, one minute for the latter. Do I have six minutes for myself? Yes I fucking do. If I don't, there's a different kind of problem afoot.
  • Forgiving my own failures. Every day of my life now is full of failures (thanks, entrepreneurship!). Get over them. We go hard or go home. We do the best we can. If every failure ends the world, we will never survive this.



03 June 2018

On the Spin #2: Podcast Edition

Since NPR One sucks now and is nothing but an endless Trump party with little to no regard for what I skip or like listening to on the regular (despite their promises that the app "just keeps getting smarter!"), I've started listening to podcasts in a big way—consuming maybe 2 or 3 per day, depending on length.

So if you're into that, or don't know where to begin—podcast discovery sucks, frankly—here's a primer on what I listen to now.

10% Happier with Dan Harris. Loved the book; the podcast neatly expands on its content and explores meditation from the perspectives of many. Harris likes to kick off with a segment where he listens to questions people leave on his voicemail. They aren't pre-screened, so it's fun to hear him tackle topics from meditation beginners and strugglers in real-time while always hastening to add, "I am not a meditation expert."

I keep secretly hoping somebody's going to surprise him with something weird, but it hasn't happened yet. Probably the producers pre-screen. Sigh.

His own earnest journey keeps me on board with my own meditation, though. I like his reflection that even if you meditate just a minute a day, that's still a success—a minute given to yourself. It's not a lot, keeps you out of a self-competing mindset ... and it's surprising how difficult it is to even allocate one minute to just you.

2 Dope Queens. My therapist recommended this to me as "homework". It's funny as fuck, super-real and packed with minority and female comedian talent.

A Very Fatal Murder. The Onion's tongue-in-cheek response to podcasts like Serial. It's just as well-produced, blows the lid off the little tropes true-crime podcasters use to keep you hooked, and takes no prisoners.

The Beef and Dairy Network Podcast. Fellow blogger/journo Stuart Dredge recommended this to me. It's a parody of hobbyist podcasts and has gone down a weird journey. At first it hewed so close to seeming true—with cynical fake ads, celeb interviews and name-dropping of "gods" of the beef sector—that it was hard to distinguish from reality until someone said something really weird.

Since then, it's gone down a few bonkers story arcs that border on the surreal. The narrator's befuddled, informational and geeky tone never wavers, though... except on the few occasions when he's in mortal danger.

Chiffon le podcast (FR). Intelligent interviews with women and men about the clothes they wear and why. Not all of them are from the fashion industry, which makes it more interesting. Fashion affects all of us in ways we can't begin to imagine.

Code Switch. Your primer to the ongoing identity war that characterises race in America. It often gets really personal. I don't listen if I'm already rattled because I OD'ed on news before getting up, though; it sometimes makes me hysterically, existentially upset.

Death, Sex + Money. From student loans to modern dating, this 'cast explores the intersection of culture, economy and why certain modern micro-experiences are surprisingly universal.

Endless Thread. My new favourite, which seizes on obscure Reddit stories or explosive memes, then explores the true stories behind them.

Game Scoop! A weekly dive into new stuff in gaming. The banter is awesome—like being in a roomful of friends—and it ends with a 20 Questions segment that's super fun.

Generation XX (FR). Interviews with female entrepreneurs—why they started their companies, what inspires them, advice for neophytes.

La Poudre (FR). Lengthy, personal interviews with feminists of all sectors and stripes. I like it when Lauren Bastide asks, "What's your relationship to your uterus?" It's neat to hear how many ways there are to approach that question. Also, no one is ever surprised by it.

Lexicon Valley. If you're a linguistics or English geek, this geek is for you. Plus his musical choices are adorably on-the-nose and dorky.

My Dad Wrote a Porno. I'm hoping I don't have to explain this—but if I do, basically a stereotypically fusty dad in retirement asks his son to read a book he's working on. His son realises the book is weird erotica about a woman climbing the ladder of the "pots and pans industry". His dad reveals he's already written multiple volumes.

Each season of is an almost painful reading of each book in its entirety, full of improbable scenarios—blue sperm, men grabbing cervixes—and other scenarios that are surprisingly probable (like that one time we all discovered that flight crews really do have a secret sleeping cabin where they may or may not orgy up with strangers). My favourite segments are the Footnotes with celeb guests who are die-hard fans.

Planet Money. A nice companion to Death, Sex and Money—except it's taking economic phenomena, then reverse-engineering them to explain how or why they came to be.

Pop Culture Happy Hour. From recent books to shows and films, this panel of close professional friends runs the gamut of every emotion you'll need to prep for before committing to your next act of consumption.

Radiolab. It's weird. It's smart. It takes you down rabbit holes.

Simplify. Blinkist's beloved podcast offering invites non-fiction authors to break down the key learnings from their work, and share books they love.

Stay Tuned with Preet. American politics in real-time from a high-level insider perspective. It stays on-point, explains how the innerworkings of our government impact stories that become clickbait, and never gets ranty, which is a fucking relief in this news cycle.

The Game Informer Show. My cousin described this 'cast best: It's a panel of people "very politely talking about gaming." Doesn't quite do it credit but now I can't stop thinking about how delighted he was when he said it.

The Guilty Feminist. Mostly I like this podcast because at start, a panel of women reveal the secret not-quite-feminist things they still sometimes think, do and say. It makes you feel less, well, guilty.

The Tim Ferriss Show. I haven't always been a Tim Ferriss fan, but he's going through this weird journey of awakening right now and has become infinitely more interesting since, because he's so vulnerable and is obviously trying to figure shit out.

Contrary to previous years, the podcast is less focused on pure-business topics intended to light fires of capitalism under your ass and more on long-term strategy, human insights and things that just make you better, not necessarily just to make money. I still skip the testosteroney intro, though.

Waking Up with Sam Harris. Sam Harris has more of an intellectual approach to the concept of "awakening" than Dan Harris does (and his monotonous voice shows it). Sometimes the segments are really enlightening and interesting; sometimes things devolve into arguments; sometimes I can't stand to listen because Sam Harris has a surprising tendency to shut down certain lines of discussion, or perspectives he can't identify with, wholesale. But it's probably also good for me to keep listening, so I keep it around when I need brain fibre or am just interested in a topic (like psychedelics).

This post was way less interesting than I thought it would be before I started. Oh, well. It's done now, so I'm publishing.

29 April 2018

Compliments Between Grown Women

Me: You're so good with herbs and pickling and experimenting with all kinds of culinary things. You would make the best witch.

Her: You would make the best witch! I would only be part of your coven.

Me: I know nothing about herbs! I'd make a horrible witch.

Her: You would work with electricity. I see it. I feel it.

16 April 2018

Destiny's Traps

Him: Would you go to Mars if asked?

Me: Yes.

Him: You couldn’t come back.

Me: I guess it depends when in my life...

Him: Tomorrow. You have to leave tomorrow.

Me: Yes. Still yes.

Him: So you’d leave me. For Mars.

Me: No! You could come!

Him: No, I don’t have an invitation.

Me: Then of course I would stay for you.

Him: No. No, you wouldn’t.

Me: Why would you entrap me like this?!! Where is this even coming from?

Him: It doesn’t matter. But now I know you’d leave me from one day to the next for something dumb. 

01 March 2018

The economics of creativity is not creativity.

Creativity is a survival trait.

We all have it. It is something all of us exercise and can also get better at. It doesn’t always come in the shower or in a flash of lightning. Sometimes it requires kneading and cajoling, or desperation, or discipline, to unlock.

Relegating the concept of “creativity” to a department, or a set of Chosen Employees, is not only an injustice but an act of violence. It saddens me that I may not be considered creative because of the title of my function in an agency. It makes me even sadder to hear people outside of the “creative department” proudly proclaim that they are not “creative people.”

We industrialised idea conception. For this reason, some people are paid to conceive ideas, others to sell them, others to manage their production, others to decide which are good or bad, others to soothsay, others to punt insights to journalists. Some of us went to school to learn these skills; probably all of us learned with time to get better at whichever component of the process we were assigned to.

This assembly line approach to capturing the miracle of ingenuity cannot begin to describe what creativity is; it only describes commerce.

We should never mistake the economic exploitation of a thing with the thing itself.